It’s hard not to be impressed by the sheer level of ambition in writer-director Dasha Nekrasova’s debut feature, “The Scary of Sixty-First.” Shot on 16-millimeter film, the movie is partly a mumblecore comedy about self-absorbed 20-somethings, partly a series of riffs on bloody Italian “giallo” thrillers and Stanley Kubrick’s “Eyes Wide Shut,” and partly — no kidding — a deep dive into the conspiracy theories surrounding the life and death of billionaire sex offender Jeffrey Epstein.
Madeline Quinn plays Noelle, who against her better judgment moves into a fancy Manhattan apartment with Addie , a casual friend she finds annoying. After an anonymous stranger shows up and claims the ladies are living in one of Epstein’s old sex dens, Noelle falls down a rabbit hole of “dark web” research while Addie starts behaving strangely, seemingly possessed by one of Epstein’s underage assault victims.
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