Reverend Kristin Michael Hayter blurs lines between reality, performance and research with 'Saved!'

Singer/songwriter Kristin Hayter poses for a portrait before a concert at The Masonic Lodge at Hollywood Forever, Friday, Feb. 16, 2024, in Los Angeles. – They may tell a story, follow a genre orBut thanks to her interest in religion and her education in art, literature and linguistics, Kristin Hayter found herself in a unique position to embark on a kind of anthropological experiment through her latest album.

That range reflects Hayter's following, from devout Christians — including a snake handler from West Virginia who extended to her an open invitation — to those vehemently opposed to religion. But Hayter doesn’t just utilize her voice for singing on “Saved!” Woven throughout is her attempt at glossolalia — speaking in tongues — a defining feature of Pentecostalism, according to Grant Wacker, a historian at Duke Divinity School who specializes in the denomination.

Wacker explained that as long as attempts at glossolalia are done in a “worshipful context,” tactics can be employed to achieve it. For Hayter, those included sleep deprivation, fasting and listening to others speak in tongues, an idea from her producer and recording engineer, Seth Manchester. “It was really pretty dissociative. I was able to just kind of let my brain go and let language and the brain kind of act independently or something. I’m not entirely sure what happened. But it definitely felt like releasing something,” she said.

Hayter is hardly the first musician in recent memory to commit to religious extremes for the sake of art — Grimes, also inspired by Von Bingen, famously locked herself in her room for weeks to make the album “Visions.” But Hayter is also cognizant of the ways in which her academic background — she has a master of fine arts from Brown University — make her distinct.

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