Róisín Murphy has contributed a few songs to the dance-club canon over the course of her 25-year career as a soloist and a member of Moloko. But recently, this material has become her primary focus. She released a series of collaborations with the gifted house producer Maurice Fulton in 2018, thumping, rubbery numbers that hinted at ESG and Jocelyn Brown. Last year, she put out “Incapable,” a smoldering, cold-hearted floor-filler.
“Incapable” was produced by Richard Barratt, and he reprises that role on “Murphy’s Law,” where the interplay between the keyboard, bass, and pinprick guitar evokesclassics like Joe Bataan’s “Sadie ” and Donna Summer’s “Bad Girls.” Murphy writes from the perspective of a character trapped in a small town with an ex — a perennially popular subject for country radio hits
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