into a genre and she’ll pick “protest art.” “We’re following a legacy of so many people who have pulled the racial climate into their work and have used it as a way to create a conversation and change,” she says of the subversive, sobering political thriller that critics are praising for its authentic depiction of police brutality.That describes much of the 38-year-old Bronx native’s work since she broke onto the scene in 2006.
Matsoukas hopes the film achieves something greater than solidifying her status as a film director and setting off Oscar buzz . “I hope this film creates change. I hope it encourages Black love. And I hope that a film like this will not be relevant even next year—that this story is something of our time.”
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