“came to be seen as a definitive fusion of jazz and rap with its distinctive sound,” while“would shape the sound of hardcore rap and reasserted the creative capacity of the East Coast rap scene.”
Launched in 2000, the Registry aims to preserve what it calls “audio treasures worthy of preservation for all time based on their cultural, historical or aesthetic importance in the nation’s recorded sound heritage.” To qualify, songs or albums — or spoken word recordings — have to be at least 10 years old. Each year, hundreds of candidates are submitted to the Board. According to Dr.
Almost since the Registry began, the public has also been allowed to weigh in. This year’s list of regular-joe suggestions totaled 1,000 — and was a major reason why a populist fave like “Don’t Stop Believin’” made it in. “It’s taken its place now as a personal-empowerment anthem,” says Dr. Hayden. “It was on the Board’s list, but it wasn’t in the top 25.” Power to the … Perry people?
“The Christmas Song' Nat King Cole (1961) (single) “Moon River' Andy Williams (1962) (single) “Reach Out, I'll Be There' The Four Tops (1966) (single) “Bohemian Rhapsody' Queen (1975) (single) “Don't Stop Believin'' Journey (1981) (single) “Nick of Time' Bonnie Raitt (1989) (LP)
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