collection notes, four words that relayed the mood not only of creative director Pierpaolo Piccioli’s collection but the gender-neutral hair and makeup looks that accompanied it. Hip-grazing strands—a nod to anyone whose last trip to the salon was pre-pandemic—were paired with metallic gold face accents and a few glittering masks, which were applied to individual members of the show's diverse cast.
contributing beauty editor, Guido Palau, explained following the presentation at the opulent Galleria Colonna in Rome. “The boys and girls were treated in a very similar manner—a boy had super long hair; and a girl did; a girl had a super; and so did a boy.” Inspired by those cool, insouciant women who, with a simple hair flip, can make you do a double-take on the street , Palau created a certain “non-referential” effortless look that translated as modern and sophisticated.
, a brush and smoothed the top layer. I didn’t use product at all, just a little squirt of Elnett in the ends to take away any flyaways,” Palau revealed. “The simpler, the better.”This kind of practical ease was perfectly juxtaposed with Pat McGrath’s gilding efforts, a calling card that belongs to Mother makeup, who memorably launched her Pat McGrath Labs brand in 2015 on the back of, a high-shine Midas-inspired pigment.
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