Lakota Nation vs. United States
Long Soldier’s role as tone-narrator is just as important as the lengths Short Bull and Tomaselli go to assemble a representative, damning collage of footage. While the two-hour doc is structured chronologically,is more concerned with establishing thematic throughlines than a detailed narrative. There are plenty of anecdotes characterizing colonizer hypocrisy , but there is a restless insistence that a higher truth be seen.
The white colonial thieves—embodied on-screen by a reenactor’s mustached Custer and an endless battalion of modern militarized police—were present from day one. As one of the film’s talking heads explains, the national project of the United States has always been the extermination of its Indigenous people and the acquisition of their land. It used to be about homesteads and gold mines . Now it’s about the status quo.
This exciting formal approach, with its diverse selection of striking nature photography and archival sources, moves swiftly and effectively. Its more traditional talking heads, which the film relies on more as its focus shifts to the present and future, still bring power to the doc—letting people tell their own stories is never a bad thing—but can move more haltingly, dictated by the speakers’ thoughts.
Source: Education Headlines (educationheadlines.net)
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