No charges for Katy ISD teacher in home renovation case, bond raised for husband accused of gambling away client money Entertainment This photo shows Phish fans walking through the lobby of the Sphere on Saturday, April 20, 2024, in Las Vegas. peering out from billboards advertising their various casino residencies.
Some displays were more abstract — during “Sand” and “Chalkdust Torture,” specks of light danced on screen in time to the music — while others were easier to discern: “Bathtub Gin” featured computer-generated people on floats made of donuts, pineapples and pizza slices in a wave pool. During “Maze,” a narrow line of video blew up into bits across the screen. For “Leaves,” hundreds of digital balloons joined the very real balloons flying up inside the Sphere.
Kuroda was still heavily involved in the shows at the Sphere, albeit with a stripped-down light setup offsetting the screen. Phish frontman Trey Anastasio said Kuroda played a key role in fighting against the “tyranny of the wall” of visuals. “This is such a new and different environment, where we started trying to make everything perfect. And then being more comfortable, taking chances and pushing things a bit further,” Holmes said. “I think Chris Kuroda and I were able to reach further and mesh better as the nights went on.”
Meanwhile, Phish will release its 16th studio album, “Evolve,” in July, when it will also launch a summer tour.
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