,” is a 24-year-old trash-talking punk stoner who lives with his mother in Staten Island and has no plans whatsoever — for a career, a life, or the next five minutes. He’s a slacker, a lout, and a self-pitying anger-management case who has never gotten over the death of his firefighter father 17 years ago. Was his dad a good guy? Not really.
If there were any lingering doubts that Pete Davidson has what it takes to be a terrific actor, this movie should dispel them. In “The King of Staten Island,” he holds the screen with his blinkered, scurrilous, and oddly innocentpersonality, and for the first time he makes the sociopathic goofball he’s playing a fully dimensional presence.
The challenge built into “The King of Staten Island” is this: How do you take a character like Scott, who opens the film by practically killing himself on the Staten Island Expressway, and remain true to him…but also watch him grow? Do you plunge him into greater and greater mishaps of his own devising? Or do you rescue him from his worst impulses? In “Trainwreck,” made in collaboration with its star, Amy Schumer, Apatow took the first option. Here, to our surprise, he takes the second.
Sorry, he's white and only black rentals matter.
What is the determination and fascination with Pete Davidson?
'First major film role?' 'Big Time Adolescence?'
I’m gonna watch it as soon as it comes out! Completely hyped for this.
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