. With its interchangeable lenses and ultra-compact design, I could truly take it anywhere and still have full manual control. Compromises had to be made given such a small design, and the Micro Four Thirds format did limit potential image quality, but I had an EVF and a creative camera that was perfect for travel.
With a pre-production S9 in hand, I explored the streets of Kyoto and Osaka, night and day. I appreciated the compact form factor wandering the alleyways of Higashiyama or the crowded streets of Dotonbori over hours and hours on foot. Panasonic gave us the pitch that the S9 is trying to approach photo taking in a different way and I was skeptical.
There is nothing wrong with the 24-megapixel images of the S9. It borrows a fair amount from the more expensive S5 II. Standard Photo Style. Handheld shots at night are easy to capture because of the excellent IBIS built-in to the body. NEOPAN 640 LUT. Using Lumix Labs, I ended up making a split-tone retro LUT, a black and white LUT that mimics Fuji NEOPAN 400 at 640 ISO, and a warm autumn leaves LUT.
Sometime I chose to capture images without using the custom LUTs. This was taken with Panasonic’s Vivid profile. The autofocus algorithms are the same as the S5 II and worked quite well to grab quick shots on the go. Autumn Leaves LUT.
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