Out of David Lynch's Many Musical Moments, This One Is the Most Unsettling

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A custom image of David Lynch in Twin Peaks against a background zoomed in on Willem Dafoe's eyes as Bobby Peru from Wild at Heart

The Big Picture Music plays a major part in bringing David Lynch's surreal visions to life. He uses it to bring peace to his characters or to pump a threatening undercurrent into their lives. While he hasn’t made a new film in almost two decades, or a new show since 2017’s Twin Peaks: The Return, he has a new project coming out soon.

Creator Mark Frost and David Lynch Cast Kyle MacLachlan , Sheryl Lee , Mädchen Amick , Kimmy Robertson , Dana Ashbrook Seasons 3 Music Is Not Always Safe in the Worlds of David Lynch David Lynch has been dissolving viewers’ concept of reality for decades, and he knows how to pull danger out of the music that plays in his projects. In Eraserhead , the Lady in the Radiator is a mysterious figure with tumour-like cheeks, who relentlessly grins while singing the depressing ballad, “In Heaven.

The Red Room Scene in the 'Twin Peaks' Season 2 Finale Has an Unsettling Musical Score Co-created by Mark Frost and Lynch, Twin Peaks explores how a charming small town has always had darkness within it when FBI Special Agent Dale Cooper investigates the murder of Laura Palmer.

The Red Room Showcases Many Classic David Lynch Trademarks Close Jimmy Scott appears out of place in the Red Room, with the backward-reverse moving and speaking entities. He performs the song like he’s in front of a typical audience, and while there is no traditional stage in the Red Room, it has those red curtains around Jimmy Scott. From the 2018 biography-memoir Room to Dream by Lynch and Kristine McKenna, the filmmaker loves curtains.

This device, like Lynch’s love for curtains, transports viewers into worlds that are dreamscapes. Characters wander into them or pre-exist in them. The flashing effect is creepy in itself; later in the Season 2 finale, Cooper meets Laura’s shadow self who shrieks uncontrollably and rushes toward him in a dark room while the white light flashes. But hearing Scott’s vocals raises the bar, as does the haunting music playing underneath.

 

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