It was around 2010 that writer-actor-director Julie Proudfoot was sitting in a Starbucks at the IC station downtown, waiting for the South Shore line to take her home, when she became aware of two young couples sitting at an adjacent table. “And the males were not only saying sexist things to the young women,” Proudfoot recalls, “they were saying pointedly violent things to them. And the girls were laughing. And that was it.
Proudfoot continues explaining how once he was elected, he naturally began messing around with Title X to please his right-to-life voters. “So we have Rachel,” Proudfoot continues, “in the Long Island Clinic, Long Island City Clinic in New York, of course, in ʼ78. We have Norma, who is part of Operation Rescue. [Right-wing activist Randall Terry’s anti-abortion campaign]. So she’s at an abortion clinic in Lafayette, Indiana, in ʼ88 as part of an Operation Rescue protest. “
Proudfoot references Anna Deavere Smith’s plays as an influence, though unlike Smith, her play is not based on interviews with real people. They are, however, based on Proudfoot’s research—research that led her to read material by and about people at the opposite end of the political spectrum., for example, is loosely based on a woman who served in Congress from Nebraska and is an active pro-life advocate.
Source: Law Daily Report (lawdailyreport.net)
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