Repeat,
” gave me full-body shivers like no music that I’d heard in a long time. There, Baker sings, as she does throughout the album, about compulsive, self-destructive behaviors, and particularly here about the ways they spiral in on themselves and become sinkholes. She sings of mantras and self-fulfilling prophecies and recurring dreams, in melodic patterns that are themselves recapitulated over and over.
that makes it feel as if all the syllables and notes preceding it have been stones that were filling up the singer’s pockets, until she made her final march out into the tide.’ tracks end on such fading loops rather than the kind of high-drama vocal crescendos that closed a lot of the songs on 2017’s, which often seemed to me to be forcing climaxes and resolutions.
, played basically all the instruments, including many layers of percussion and electronics—embraces the emotional potential of production itself, and through it the inevitable artifice of any act of performance. This is part of a cascade of breakthroughs that makean immediate contender for one of 2021’s best records, and a radical departure—to me welcome, perhaps to some fans not—from her previous work.was underproduced by necessity, as a spur-of-the-moment, demo-like solo recording.
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