) is mysteriously felled by a nickel that drops from the sky. Haunted and grieving, the Haywoods keep up their ranch work, their eyes tilted upward. Things don't stay peaceful for long."They play together," Kaluuya, 33, says of the believable old-joke easiness he built with Palmer.
Palmer, 28, says it was a matter of projecting backward into an unseen family history. "Thinking about the spaces in between the scenes, the moments you have never seen between them, growing up," she explains, sharing a Peele directorial tactic. "Jordan was always [saying] it's not so much about the scene that's happening, but the moment that happened, the feeling and thought that led to that.
An unusually intimate sci-fi film with some of the same domestic concentration of M. Night Shyamalan's spooky 2002e expands its scope to accommodate a local tech geek, Angel , who hooks up a pair of video cameras for the shaken Haywoods. "With Angel, there is this want to be a part of a family," says Perea, 27. "He's dealing with his own demons and he's looking for some sort of purpose." Conspiracy-minded, bored at his day job, and a chatterbox in desperate need of an audience, Angel becomes part of what Perea calls a "mission."
Another layer of complexity — and a key to Peele's deeper comment about broken Hollywood rejects — arrives with the introduction of Ricky "Jupe" Park (
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