In the introduction, you acknowledge that performers of color and women performers are just not in your zeitgeist. Which to my mind is not plausible for Jann Wenner. Janis Joplin, Joni Mitchell, Stevie Nicks, Stevie Wonder, the list keeps going — not in your zeitgeist? What do you think is the deeper explanation for why you interviewed the subjects you interviewed and not other subjects?That is a perfectly reasonable question.
We’re talking about rock ‘n’ roll here, not polo. Besides the names above, why not Marvin Gaye, Tina Turner, Chuck Berry, Little Richard, Prince, The Ronettes, The Supremes, James Brown, Wilson Pickett, Ray Charles…? You can argue that some of those names don’t represent rock ‘n’ roll, but neither does Bob Dylan.
The selection was not a deliberate selection. It was kind of intuitive over the years; it just fell together that way. The people had to meet a couple criteria, but it was just kind of my personal interest and love of them.Times“It’s not that they’re not creative geniuses,” Wenner said. “It’s not that they’re inarticulate, although, go have a deep conversation with Grace Slick or Janis Joplin. Please, be my guest.
Janis Joplin and her final group, the Full Tilt Boogie Band, perform at the Festival for Peace at Shea Stadium on August 06, 1970. “Of Black artists — you know, Stevie Wonder, genius, right?” Wenner added. “I suppose when you use a word as broad as ‘masters,’ the fault is using that word. Maybe Marvin Gaye or Curtis Mayfield? I mean,Wenner wants us to believe that Marvin Gaye, who wrote, produced, and performed theMarvin Gaye performs onstage during the ‘Sexual Healing’ tour at Radio City Music Hall, New York, New York, May 19, 1983. The selection was intuitive. It was what I was interested in.
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