Niccolò Pasqualetti Thinks Outside the Box With a Confident Ready-to-Wear Debut

Photo: Courtey of Niccolò Pasqualetti

Pasqualetti’s approach to design might be described as autobiographical. “Clothes are what we wear most close to us, and what represents us to the world, and [how] we want us to be seen by the world, so how can it not be personal?” the designer asks rhetorically.

In addition, the designer was also thinking about the Surrealist icon Claude Cahun, with whom they feel a kinship, as she too, used a mirror to explore identity. “You know, I try everything on,” notes the designer, who also enlisted their mother as a fitting model.Photo: Courtey of Niccolò Pasqualetti

For spring, Pasqualetti added an element of spontaneity to their signature, self-described, “ambivalent androgyny,” though the use of unexpected materials, like cork and wood, and textures that play off of contrasts. Plus many of the pieces can be worn in different ways. Is a macramé piece a top or a necklace? Will you style crotchless trousers as pants or a skirt? The choice is yours, both in terms of clothing and identity.

Pasqualetti is a designer who is comfortable in “in between spaces,” but they were uncompromising when it came to this collection. Having left the relative security of working for big brands, going solo meant doing things their way. That meant taking the time to consider all aspects of a piece: “People call it luxury,” says Pasqualetti, “but I call it design, taking care of all these details…. It’s important for me that [my work] is something that is considered and is authentic and honest.

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