he felt “surprised” by the NC-17 rating, since he’d thought “we’d colored inside the lines.”
“Americans are really strange when it comes to sexual behavior, don’t you think?” Dominik continued in that interview.You knew exactly what you were doing when, during an abortion scene in, you made it seem as though the camera was inside Marilyn’s vagina and we were watching as a doctor’s tongs slowly entered the foreground. You knew what you were doing when you had Marilyn raped onscreen multiple times, and during a sex scene with JFK toward the end of the movie that was basically porn.
Or when we saw a drugged-up Marilyn vomiting into the toilet, except the camera was pointed up at Marilyn so that it looked like she was heaving onto us, the audience.“We’re in a time now, I think, where people are really uncertain about where any lines are,” Dominik added in thatThat’s the same director, mind you, who — when it comes time for the infamous city street scene in, when Marilyn’s dress is blown upwards — decides to luridly drag that moment out.
It’s just a shame that praising her work gives me pause. Because to do so is to inadvertently praise a movie that at times seems like its whole goal is simply to make you, the viewer, feel as uncomfortable as possible. Again and again and again. From a technical standpoint, this Netflix movie is a masterpiece. But when you’re not looking away in horror, it’s hard not to feel like theof the film in front of you is really just exploiting Marilyn all over again, under the guise of wagging a scolding finger at that exploitation. You have been warned.
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