When Joan Didion died, in December, 2021, “TGIF” included a tribute to her influence. Didion had “inspired a generation of young writers including this one” with work that “skewered the trendy movements around her,” Bowles wrote. “The Didion I read would quietly find the flabbiest bits of American culture. She was ruthless and funny. She was not on your side. She wasn’t on anyone’s side. If Didion had been working these past few years, I have no doubt who she’d be writing about.
But, for the reader, there is a dispiriting flatness to the results. Imagine “Radical Chic” with no penthouse, no eavesdropping, no combustible social chemistry, no outfits, no Roquefort morsels—just a transcript of unknown people, identified by a first name and maybe a hair style, addressing a group and saying cartoonish things. It’s a truism that humor dwells in specificity, and this principle works against Bowles’s efforts at bitingly observed social commentary.
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