The Nebraska musician's latest shoulders rock music into new phenomena while remaining achingly indebted to its capacity for magic and freedom. Back in the 1970s, my uncle used to cook up tunes with his band, Epitaph, in my grandparents’ shed. There is no record of their music; a grainy, minute-long clip of them rehearsing exists on YouTube, but Grand Funk Railroad’s “We’re An American Band” is superimposed over them playing.
Despite knowing what I know about my uncle—that he would take apart and rebuild guitars and learn songs by ear—I struggled, for a long time, to imagine what Epitaph really sounded like. Once I hit play on David Nance & Mowed Sound’s “Mock the Hours,” I finally found what I was looking for. is the latest LP from the Nebraska native Nance, whose penchant for sterling guitar music has turned into a decade-plus career of smoldering rock projects. Since dropping back in 2012, Nance has become a walking juxtaposition—continuously fine-tuning his musicality into this loose, grainy admixture of garage and country roc
Source: Entertainment Trends (entertainmenttrends.net)
Nebraska Musician Rock Music New Phenomena Magic Freedom
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