Natalie Portman’s 'Black Swan' Transformation Was as Painful as It Looked

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Liam Gaughan is a writer at Collider with a passion for classic films and the work of Steven Spielberg and Martin Scorsese.

The Big Picture The term “method acting” has come to be a controversial one in the industry, as various performers seem to differ in their opinion on how much commitment a role should require. It is certainly impressive when an actor is able to strip away their individuality in order to capture the mindset of a character who does not resemble them in the slightest.

Release Date December 3, 2010 Director Darren Aronofsky Cast Natalie Portman , Mila Kunis , Vincent Cassel , Barbara Hershey , Winona Ryder , Benjamin Millepied Runtime 110 Main Genre Thriller Writers Mark Heyman , Andres Heinz , John J.

Related Darren Aronofsky Tried To Start a Feud on the ‘Black Swan’ Set Sometimes, method acting is just the wrong way to go. Portman ensures that Black Swan’s haunting ending is both terrifying and emotional. After a quarrel with her new friend Lily and an emotional breakdown nights before the opening performance, Nina comes to doubt if she will be able to live up to the high standards that have been placed upon her by her mother, her co-stars, her director, and herself.

While she was and remains one of the most highly sought after actresses of her generation, Portman trained for over a year in order to get into character for Black Swan. Working alongside the former New York City Ballet dancer Mary Helen Bowers, Portman revealed that she "would do two hours a day for the first six months," which was intended to build up her strength and ensure that she would not get injured when performing the subsequent stunts.

 

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