Pound for pound, the two-and-a-half ton sculpture was part of more squabbles, conflicts and out and out battles than perhaps any other monument in the city’s history. It, or “he,” also figures in at least two unsolved, if somewhat minor, mysteries.
Sculptor Lewis disagreed vehemently with Gould, and told the newspaper, “Personally, I think the statue depicts the supreme moment of victory.” Not long after, Lewis sued Gould for $50,000 in damages, claiming Gould’s harsh words damaged Lewis’ reputation and harmed his business . Then, in addition to Gould’s more learned criticism of the piece, local veterans of the Navy and Marines complained that a memorial with only Army soldier wasn’t enough; they said that they, too, should be represented.
“I don’t know whether this Doughboy statue is real art or not,” council member Phillip Tindall was quoted by The Seattle Times as saying to the council. “All I know is that it is supposed to have an expression of triumph, and I know that neither I nor any of the other boys with me ever came out of the front line trenches with anything like joy on our faces.”
Lewis’ original Seattle statue had two German helmets hanging over its back, as if the Doughboy had collected battlefield trophies from dead enemy soldiers. This rubbed some people the wrong way, who felt this display was insensitive to Germans.
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