Music Supervisors Anticipate More Work as TV & Film Production Resumes

). Much like Hollywood red carpet parties, due to the pandemic-imposed lockdown, this too has turned digital. Normally, Ramos would kick off the creative process by facilitating an hours-long conversation while in the same room as the director and composer, saying, “You want the [them] to communicate as much as possible during that time. From those notes, that's what the composer goes off of.”

“Brands were so quick to respond to this [pandemic],” he says. “As you saw, so many put out messages right away, and we really benefited from getting to work with Apple, Taco Bell, Pizza Hut, Prudential and Cigna on a bunch of response ads.” As independent contractors, Ramos and Malone aren’t entirely immune to the changes facing Hollywood and the larger entertainment industry, either. Ramos says it was “painful” to be final-mixing remotely, though she applauds the “bomb mix crew” forthat made the process as seamless as possible by sending protected links and organizing notes. She also says that while working from home, she realized the importance of high-quality, noise-cancelling headphones.

As a result, Ramos says working through the pandemic remotely has forced her to be very explicit in how she envisions a song being placed within the action. “It’s causing me to be more descriptive and communicative in what I want,” she says, noting that though she’s L.A.-based she often works with directors in New York. “I used to look forward to being flown to New York City for spotting sessions.

Source: Entertainment Trends (entertainmenttrends.net)

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