“I like to call Holland-Dozier-Holland ‘tailors of music,’” he said Tuesday during a telephone interview. “They could take any artist, call them into their office, talk to them, listen to them and write them a top 10 song.”
, published in 1984. “Sometimes a song barreled to number one on the sheer voice of repetitive hooks, like a fast-food jingle that lurks, subliminally, until it connects with real hunger.” Holland-Dozier-Holland weren’t above formulas or closely repeating a previous hit, but they worked in various moods and styles: the casual joy of “How Sweet It Is ,” the escalating desire of “Heat Wave,” the urgency of “Reach Out .” Dozier’s focus was on melody and arrangements, whether the haunting echoes of the Vandellas’ backing vocals on “Nowhere To Run,” flashing lights of guitar that drive the Supremes’ “You Keep Me Hanging On,” or the hypnotic gospel piano on Gaye’s “Can I Get a Witness.
Holland-Dozier-Holland were inducted into the Songwriters Hall of Fame in 1988 and the Rock and Roll Hall of Fame two years later. On his own, Dozier had a top 20 hit with “Trying to Hold on to My Woman,” helped produce Aretha Franklin’s “Sweet Passion” album and collaborated with Eric Clapton and Hucknall among others.
CristFrank Another round 3’s again? Making up for lost time?
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