relocated to Mexico about 15 years ago, and in the last two, found this Pueblo Mágico — or area of special historic and folkloric significance according to Mexico's tourism bureau. It's a fitting home for its quiet and potential for optimum solitude. About an hour-and-a-half from Mexico City, Tepoztlán is where Laferte wrote the bulk ofEnveloped by its lush mountains is how Laferte spent the beginnings of the pandemic.
In the video for the song, Laferte is the bull to a matador. She charges, she falls, she gets back up. The brocade-and-sequined matador swaps his red muleta for a plastic tarp with which he nearly suffocates her; it is horrifying. But she wrangles herself free to turn and punch him hard enough to knock him to the ground. It's all very Almodóvar-esque — in coloring, in its slight yet emotionally symbolic absurdity.
But her fans repeatedly pleaded for a recorded cut, and so she released a reworked, decidedly empowered version:"There was a part that said I drink everything, I've drunk everything because of a coward. The blame was put on the guy," she says."But really, no—now it says, poor you, goodbye, sad coward. Like, now he doesn't matter to me, I don't drink for him, I drink for me.
The charges against Trevi in 1999 ranged from kidnapping to corrupting minors and embezzlement. During her time in prison, despite its maximum-security status, Trevi became pregnant with her abuser's child. Her conviction was overturned in 2004, after spending four years behind bars.that she'd been beaten, manipulated, abused and humiliated by her former partner. There is more to this story, of course — most importantly, the story of the survivors.
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