Mistborn's Extensive Era 2 Still Doesn't Compare To How Good The Original Trilogy Was

Summary SCREENRANT VIDEO OF THE DAY SCROLL TO CONTINUE WITH CONTENT The second era of Mistborn may be an exciting and unique entry to the fantasy genre, but it falls slightly short of the original trilogy. Aside from the standalone Elantris, Mistborn is author Brandon Sanderson's first extensive fantasy story and the perfect entry point to the Cosmere, his fantasy universe that connects his various series and novels.

Brandon Sanderson is widely praised for his complex, distinctive magic systems, and it's often one of the first subjects of praise for Mistborn. The various uses of different metals across Allomancy, Hemalurgy, and Feruchemy seem convoluted, but they're introduced at a steady pace that makes them easy to engage with. Suddenly factoring guns into such a system seems like it would be difficult, but Era 2 develops new fighting styles to accommodate for more advanced weaponry.

Related Brandon Sanderson's Mistborn Books In Order: How To Read Them With a first Mistborn movie now in development, many may want to experience the Mistborn story via the books before watching it on the big screen. Mistborn Era 1 Has Better Characters Despite bearing the often grueling burden of introducing audiences to the world of Scadrial, Mistborn: The Final Empire is still the best Mistborn book.

To clarify, Mistborn Era 1 has some excellent dynamics. Vin and Elend have beautiful chemistry, as do Kelsier and the thieving crew. However, Mistborn Era 2 is practically modeled after gunslinging "buddy cop" Westerns. Wax and Wayne are hilarious and fun to follow, which makes for a refreshing tone after the heavier material in the original trilogy, but they don't feel as meaningful overall.

The shorter page counts benefit Era 2's tone shift but ultimately result in less complex narratives. Even with four books instead of three, the longer volumes in the original Mistborn series allow for in-depth isolated story arcs in each book. In total, Vin has roughly 100,000 more point-of-view chapter words than Wax, despite Era 1 covering a wider cast of characters. She's one of Sanderson's most beloved protagonists for good reason.

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