Growing up, Miles Davis spent summers in Noble Lake, Arkansas, where his grandfather gave him his own horse at age seven. Horseback riding, like trumpet improvisation, required skill and sensitivity, physical prowess and keen mental attunement, knowledge acquired through hours of practice and experience.
At Chinetti’s Ferrari showroom, Davis fell in love. And this was a love that would never fade. He’d spend hours in Chinetti’s place, moving from car to car to see how each felt, discussing the particulars of the engines, watching the mechanics in the garage. The propulsion he found so captivating in cars—the feeling of moving forward—turned to his music. In the mid-Fifties, after a decade of playing that included the landmarksessions, Davis began playing with a mute, cultivating a whole new mystique of quiet, stealthy precision.
Davis began using a trumpet mute in the mid-Fifties, and it became a fundamental part of his sound for the remainder of his career.Davis kicked heroin and became serious about boxing around the same time, in 1954. He said it was the example of middleweight champion Sugar Ray Robinson—a glamorous ladies man when on the town and a no-smiling champion in the ring—that helped him do it.
Isn't that a Miura?
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