I was flown over to Lake Como, where her house is, and it was really fascinating. People use Versace as a kind of adjective now, but these people really exist. She exists in a Versace way. It was incredibly glamorous, and everything seemed to be gilded, baroque, and rich fabrics. The house itself was stunning. It spilled out into Lake Como itself.
I just couldn’t imagine sitting there, these huge men wrestling above you while you were drawing your designs for the next season. In a way, the absence of Gianni was very potent to me as a memory of being here with Donatella. We finished the shoot and my assistant and I went for a swim in Lake Como, which was quite Bruce Weberish to do that. Then, we dried off and we headed to the Milan Airport. I had 20 rolls of film in a bag, and I remember giving it to security, the guys that do the X-ray. I always say, “Look, do you mind not X-raying this film because it might damage the film?” And, mostly, nine times out of 10, they say,”Yeah, sure let me just check it.
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