,” debuting April 1. And it might never have happened if he hadn’t already read and liked the Mick Herron book on which it’s based.
He and Jagger didn’t meet due to COVID restrictions, but in December of last year began a whirlwind series of Zoom calls, emails and text messages. “I played him the track on guitar,” Pemberton recalls. “I’m not even a good guitarist. That was very weird, playing guitar for Mick Jagger on the Zoom line.”
Jagger’s lyrics convey something of the dilemma faced by the principals: “Surrounded by losers, misfits and boozers / hanging by your fingernails / you made one mistake, you got burned at the stake / you’re finished, you’re foolish, you’ve failed…” “Right from the get-go, I thought that we could use a song in the opening to help us set the tone, particularly with the first show, which has a very dynamic, perhaps more conventional action opening. Then you have to pivot into a different sort of atmosphere, into the world of Slough House.”
“We tried to distill the nature and the smell of the show, and discuss what an opening song might be,” Hawes said. “This is about the MI5 screw-ups: the ones who’ve left the file on the train, who slept with the wrong person, who kicked down the wrong door, and they’re begging for a second chance. So it needed to be a story about people hoping for a way back to play with the big boys. That was all Mick needed.
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