Hearing someone yell into a microphone is generally a very unpleasant experience. Whether it’s the grocery store manager telling a kid to stop running down the aisles, an airline gate agent incessantly calling out for a mysteriously missing passenger, or an Alex Jones-type conspiracist spouting ridiculous theories till they’re red in the face, we can all agree that the marriage of loud voices and amplification is almost always an ill-conceived one.
Among the darker corners of the set are some familiar paths, namely, outrage culture and feminism. She approaches both with mild incredulity, sprinkling nuggets of wisdom in with her hilarious observations about their pitfalls. Wolf, a self-identified feminist, pinpoints how in-fighting and white women’s privilege undermine the feminist agenda. She doesn’t rail against feminism or call-out culture, but finds the gray areas that make both subjects ripe for the picking.
The battles that she does pick in the special, though, are endearingly goofy: childhoods should be terrible, birth must be deemed gross rather than miraculous, and men are better suited to have periods than women. Her reimaginings of how our world should be are, of course, funny, but they also show an inventiveness that enriches her jokes. Her whimsical ideas, such as tampons for men with superheroes on the strings , bring unexpected levity to every subject.
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