for introducing certain pedal effects and downtuning. Given Pishney's extensive musical knowledge and appreciation, it’s no surprise that he writes music for Like Moths to Flames year-round.
“I always work on a song until I feel good enough with it, and then I’ll take a break and come back a few months later, but I’m always writing different songs all at the same time,” he says. “Some songs start out with a breakdown idea that eventually gets moved to the middle of the song, or some songs start with a riff or a verse or a drum groove or beat idea.”
The latest songs reflect some of those influences Pishney named, including more scratches and scrapes that give the music an unexpected edge and bark. They also make for a more energetic live set, as the packed venues can attest to. Pishney adds that he still sees the metalcore scene as a"big community," and even if some newcomers may not know Like Moths to Flames, the band's catalogue speaks for itself after thirteen years.
“There’s a little bit of everything. If people might have heard of us before but haven’t dived into it, they might have a misconception that we’re just some 2010-era Risecore band. Take that with a grain of salt, but if people have that impression and never jammed us, I think they would be pleasantly surprised when they listen to stuff from 2019 and on,” he says. “I feel like we’ve rebranded ourselves a little bit with a new label and different song ideas and stylistic influences.
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