spoke with Smith about his long-aborning second book.
During his life, film music was held in total contempt by the symphony world. The one time he was invited to conduct, the members of the New York Philharmonic treated him horribly. Max claimed that the lead cellist wouldn’t even take his instrument out of the case during rehearsal. He never tried to conduct a concert again.
Your previous biography subject, Herrmann, was clearly a classic sort of tortured artist, right there on the surface. But Steiner joked about his angst. Not just personally, but he literally wrote constant gags into the margins of all his scores, much of which you reproduce. And you also reproduce jokes he told in an unpublished memoir he worked on.
He loved beauty, and when he saw Ingrid Bergman in “Casablanca” or Vivien Leigh in “Gone With the Wind,” he was very affected by them — not just on a level of seeing a beautiful woman, but he really fell in love with those characters, and then he stepped back toSo as a man, he was very drawn in.
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