“Let’s say Sharon Stone represents certain things,” Scorsese said. “What about the businessman, the marketing man? And that’s [the head of Paramount] Jim Gianopulos…So why don’t we] He possesses the performers, he wants to them. It’s like us, making this… we love the music and the performers so much that the only thing we can do is photograph them and edit it, right? And we wanna be Scorsese went on to say that the unconventional approach to the film influenced his work on.
which told the story of Dylan’s from childhood through his 1966 motorcycle accident. Despite the countless hours sorting through Dylan’s visual archives and turning them into films, Scorsese says he hasn’t had direct communication with the songwriter in a very long time. “Last time I saw Dylan was at a big dinner for Armani, 20 years ago,” he said. “I met him a few times with Robbie Robertson. That’s about it.”
Call him on the telephone
I guess the answer my friend as to why he hasn't seen Bob is 'Blowin In The Wind'
My very favorite thing about Martin Scorsese is reading an interview with him and seeing [Laughs] at the end of almost every statement. The sound of a Martin Scorsese laugh is the pure joy of cinema right there, folks... 😀
Don’t think twice, it’s alright!
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