director Makoto Shinkai’s latest film, an ordinary highschooler finds herself pulled into a life of chasing down otherworldly creatures and sealing portals that would otherwise unleash catastrophic tectonic devastation across Japan. Out of all of Shinkai’s animated features,’s one of his most direct in the way it draws upon Japan’s real-world history with natural disasters to tell an epic story that plays like a love letter to the country and all its natural beauty.
When I was growing up in Japan as a young kid, it was the so-called golden era of Japan, where the economy was booming, and the population was increasing. I personally grew up in the countryside of Japan, and in spite of that, there were new homes being erected one after another.
In spite of all this, society demands that we conform to this ideal shape. I think there’s a huge gap there right now, and I wanted to show that there are certain parental relationships that can exist — perhaps even without the connection of blood — and kind of thought-provoke people into seeing that maybe there are other ways that we can create what we understand as a family.
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