translated into Kreyòl, Danticat recites in her trademark measured and melodious voice:
“There is a place where women live near trees that, blowing in the wind, sound like music … These women, they are fluttering lanterns on the hills, the fireflies in the night … There is always a place where women, like cardinal birds return to look at their own faces in stagnant bodies of water … Where women return to their children as butterflies … My mother was as brave as stars at dawn.”focuses on the lives of Haitian women who are simultaneously ordinary and extraordinary..
The ubiquitous poverty trope regularly used to describe Haiti is notably absent from the narrative. Instead, copious amounts of produce—piles of mangoes, loads of cabbage, bunches of bright orange carrots—are present in almost every shot, disabusing the viewer of the idea that Haiti is only a place of lack.
, “A madan sara is a person who specializes in commerce; they are pillars of the Haitian economy.” These women have mastered their profession, understand their worth in the global economy, and take pride in their craft.., our team is continuing to report through this global health crisis—doing what we can to keep you informed and up-to-date on some of the most underreported issues of this pandemic. —we can’t do it without you.
When I asked Dupain how he managed to cover such an incredible range of topics, he explained, “It is impossible to talk about Madan Sara without understanding [this broader context because] their work is a resistance movement against neo-liberal policies.”
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