'Lovecraft Country': A Nightmare on Main Street

It’s 1954, which means Tic has to ride in the back of the bus on a return trip to his native Chicago, where his Uncle George produces a-like guide that lists safe places for African American travelers to visit across the country. Montrose has gone missing, so Tic, George, and Tic’s old friend Leti pile into George’s woody wagon to rescue him — little realizing that his predicament will involve demons, shape-shifters, and, oh, yeah, white supremacists who can cast magic spells.

Using supernatural terrors as metaphors for the more down-to-earth kind is a reliable staple of the genre, from. But Green and her collaborators employ the device with particular deftness, toggling back and forth between racist cops and shoggoths, or burning crosses on lawns and ghosts lurking in sub-basements.

More importantly, get used to this high-speed blender working spectacularly well. Each hour seems full to bursting with ideas and incident, as if Green wants to squeeze in as much as she can while she has the chance. After the road trip in search of Montrose, there’s a crackerjack haunted-house story, and an Indiana Jones-esque hunt for treasure buried underneath a museum. So much is happening, all so stylishly presented, that each episode feels like it could last twice as long and not get dull.

It helps that, after the road-trip two-parter that begins the series, the stories are more standalone than is normal for a complicated Peak TV drama like this. There’s a larger threat Tic and Leti are battling, but there are also some menaces introduced and resolved over the course of a single hour. Remember, kids: Episodic storytelling

Looking forward to it. Loved the book!

No, it is not. It is a simulacra.

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