Literary Skater Boys, Rejoice. José Vadi Wrote a Book For You.

If you open Instagram right now, you’re just as likely to come across nostalgic ’90 skateboarding videos as you are sponsored teen skaters racking up hundreds of thousands of likes. But the sport’s assimilation into mainstream culture is a development that’s gone mostly unexamined, until now. In his new book,provides a sort of ethnography-cum-memoir of skateboarding, from his own upbringing in the skate parks of Pomona to the fashion world’s embrace of brands like Thrasher and Supreme.

RIBEIRO: Yeah. It’s funny that a lot of people outside of it would say the most impressive part is falling and getting up. When I was reading it, too, I was thinking about contemporary skateboarding culture. For a little context, my father is Brazilian and moved here in his early 20s. He had been skating since he was a child and skated up until his 40s, and the way he interacts with it is so different from skateboarding with other people in my age group.

VADI: Yeah, we’re seeing a lot of different trends out there, and they’re always changing. The thing that you lined up for at Supreme a year ago is now something that you’re talking shit about on the Slap message board. And that’s kind of fine. You know what I mean? Skateboarding itself changes so quickly and so rapidly. It’s crazy to think that we’re 10 years-plus deep in a post-FA/Hockey society.landed the 900 in 1999, what was so interesting was all the deals he was making.

VADI: Totally. But it speaks to the difference between street skateboarding and competitive skateboarding. There was a cool moment, I think in the last Olympic Games in Japan, where the female bowl skaters had this kind of hug-it-out moment after someone fell on the last run. You see those traditional athletic sportsmanship moments in competitive skateboarding. But even saying sportsmanship is so weird. That’s such a Little League, athletic childhood kind of term.

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