All of this can only further propel thearchitect toward an ultimate EGOT, Miranda already having two Emmy wins under his belt, along with three Grammys and three Tony awards.After writing the song “How Far I’ll Go” for Disney’s which earned him an Oscar nom, Miranda told the studio, “If you’re doing a Latina-themed anything, I’ll sharpen pencils; I just want to be in the room. And I want to be on the ground floor so I can help with the story.
“I was inspired by Howard Ashman and what he brought in Disney’s golden age,” explains Miranda about his jumping off point for “what musical numbers can do, how they can dilate time and tell a story and work and amplify the animated visual image.”“Belle”, which introduced all the characters in one song during the film’s opening.
Inspired the butterfly miracle metaphor animation visuals, Miranda says “Dos Oruguitas” is about “two caterpillars who are in love, and they’re scared of letting go, but they have to let each other go and that’s the only way the miracle is going to happen.” “It’s a perfect metaphor here for this family: They love each other, but they’re holding on too tight, and not letting them become the next version of themselves,” Miranda expounds.Miranda was long-inspired in his own career by the late Larson and his contemporary New York early 90s musicalabout the city’s bohemians and artists.
Miranda tells us about how he landed Andrew Garfield for the role of Larson, the pausing and restarting of the production during Covid, and assembling the huge musical number “Sunday” which features Broadway greats Joel Grey, Beth Malone, Bebe Neuwirth, Bernadette Peters, Chita Rivera and Phillipa Soo.
Glad to see Afro-Latin characters were included this time around...
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