re-creates the Encino of his childhood with every bit as much affection and attention to detail. Named for the regional record chain where Valley kids got their vinyl — but ostensibly Anderson’s own “Once Upon a Time in North Hollywood ” — “” delivers a piping-hot, jumbo slice-of-life look at how it felt to grow up on the fringes of the film industry circa 1973, as seen through the eyes of an ambitious former child actor plotting how to follow up his early screen career.
“I met the girl I’m going to marry one day,” he declares, and heck if we aren’t rooting for that to happen, absurd as it seems. At 15, boys tend to fall in love every five minutes, but Gary is more than just smitten when he meets 20-something Alana in the opening scene. With flushed cheeks and real pimples undisguised by makeup, Gary is a raging ball of teenage hormones, but he’s trapped somewhere between playing the gentleman and not having any game. Every time another guy hits on Alana, Gary seems to turn even redder, and because he’s too immature to know better, he often finds himself retaliating in hilariously counterproductive ways.
Like Los Angeles to the south, Encino’s a place where it’s hard to get much of anywhere on foot, and just as important to the dynamic as Gary’s complicated emotions is that Alana has wheels. She still lives at home and nurses ambitions of her own, directing her romantic attention at whomever seems most likely to pluck her from the tedium of her middle-class Jewish existence, be it one of Gary’s underage fellow actors , bona fide movie star Jack Holden or mayoral candidate Joel Wachs .
But Anderson’s instincts were dead-on in choosing Hoffman and Haim. With their imperfect teeth and relatably real features, these two have a natural unselfconsciousness about them — not Instagram gorgeous, but far more expressive faces to gaze upon in unfiltered 70mm. And the hair! For years, Anderson has been directing music videos and more with Alana and her sisters’ band, Haim, and seems to have intuited what she’s capable of.
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