) finds herself somehow transported in time to the Swinging London world of naive party girl and aspiring chanteuse Sandie , those strings signal not just the dreamy collision of timelines, but a darkening of tone and genre, as Eloise’s rosy nostalgia for an era she never inhabited is soon invaded by blood-dripping violence and threat.
What it does have is McKenzie, never one to let an underwritten character thwart her best efforts, and whose sweetly open, porous, persistently worry-etched features couldn’t be more ideally suited to Eloise’s ingenuous, new-in-town outlook.
Finding her body somehow twinned with Sandie’s when she goes to sleep, Eloise is at first exhilarated to go traipsing through the seamily glamorous vintage Soho of her daydreams, in the perfect physical person of Anya Taylor-Joy — here, as in “The Queen’s Gambit,” proving herself ideally suited to whole-nine-yards ’60s styling. As Sandie’s story turns ever darker, however, Eloise senses she’s a witness to something unspeakable, nearly 60 years after the fact.
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