part of the fun is figuring out L.A. film editor Marissa Dahl. Her interior dialogue teems with fears of missed social cues, movie trivia and some worrisome habits. Dahl’s
got reason to be apprehensive. Hired to edit legendary director Tony Rees’ latest film, she barely inked the deal before being whisked away to a super-secret set on an island off the Delaware coast. The film, a fictionalized account of the unsolved 1990s murder of aspiring actress Caitlyn Kelly, has attracted not only the filmmakers but two local teens who host a true crime podcast and enlist Dahl’s help in solving the crime.
says at a crime scene. “The last thing he saw as he bled out was Gelson’s, an upscale supermarket. Then again, Gelson’s was heaven to some people.” Caitlin Hendrix started out as a sheriff’s deputy too, in Alameda County, in former L.A. attorney Meg Gardiner’s blistering 2017 debut, “UNSUB.” Hendrix — now working for the FBI as a behavioral analyst — is back for her third nerve-wracking outing ina serial killer dubbed The Midnight Man is stealthily breaking into Southern California homes.
y cant they just b 'women.' y every woman who does something gotta be qualified as 'kickass' or 'badass'
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