brings many of those characters to the start of a fresh page in their journeys. Tensions rise on the wagon train after two men ogle Juliette Chesney while she's bathing; Marigold abandons Hayes to go off with a gambler she hopes will offer her protection after leaving Ellen Harvey's child with a Chinese family; the aggrieved settlers of Horizon attack a group of Apache and claim scalps for revenge; and Frances kisses Trent, finally pushing forward the simmering attraction between them.
But Costner didn't want their stories to feel totally unfinished either. "I didn't want to create a cliffhanger," he tells. "They got a complete story, but it's really clear that it's going to go forward because the complete story is embedded there with it." Partly, Costner is referring to the film's final montage, a dizzying array of images spliced between shots of a printing press rolling off more fliers for the town of "Horizon" as their maker, Pickering , ponders the dream of the West he's selling to unsuspecting folks. Costner promises that a montage teasing the next chapter will conclude each film.As for Pickering, we'll see him pop up with increasing frequency as the story moves forward.
Sharp-eyed audiences may have already noticed some hints of what's to come. For instance, Sienna's Frances shares a surname with a family journeying West on the wagon train. "There is absolutely a connection there," Costner teases. "And that becomes clear in the beginning of
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