in the show’s Playbill program. This had never been done before in Broadway history, but Washington felt like she needed to provide a resource for audiences — and nobody leaving that theater was going to be in any shape to walk up to a table and pick up a booklet after seeing the show.
“You had to put it in programs so it’d be there when they’re home and still working out the ideas of the play,” Washington says. The guide explores implicit bias and offers resources for audiences to support groups working for equitable and accountable policing. When “American Son” premiered on Netflix, Washington made sure the guide was available online.
“As a Black woman, things haven’t changed,” she says. “What changes is the awareness for other groups and what that experience can look like and feel like. That’s one of the reasons I was so drawn to the material. It felt like a way for people other than Black mothers to understand a little bit about the unique experience of what it means to raise a Black child.
“I’ll fantasize about doing other things, but I’m so drawn in by narratives that I think reveal new truths about the human experience and, in particular, humans who happen to be women and women of color,” she says. Visibility of a community is important. And right when I want to quit and go off and do other things, I’ll read something like ‘American Son’ or ‘Little Fires’ that pulls me back in, and I think, ‘Oh, I have to be a part of this.
Joseph Campbell was a hack.
Know I shouldn't and it's probably not PC...but I'm laughing so hard at the question that my eyes are so watery that I can barely see clearly!
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