John Prine, the Mark Twain of modern songwriting, dies at age 73

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Celebrated songwriter John Prine dies at 73 from COVID-19 complications

, a consummate storyteller who rose from the 1970s Chicago folk scene to become one of a generation’s most celebrated and prolific songwriters, has died at age 73.nearly two weeks, the Prine family confirmed to The Tennessean, part of the USA TODAY Network.

A self-described “terrible student in high school,” he began playing guitar around age 14, learning a few chords from his older brother, Dave Prine. A few years later, he’d study the instrument at Chicago’s Old Town School of Folk Music. It was in Chicago, playing a regular gig at folk hot spot Earl of Old Town, where fellow musician Steve Goodman insisted that Kristofferson hear Prine's music. Kristofferson would soon invite Prine to play in New York City, helping bridge the Midwesterner’s first record deal.“by the end of the first line, we knew we were hearing something else.”‘John Prine’

With the release, Prine found a fan in a folk hero of the time, Bob Dylan. Visiting New York City a few months before his record came out, Prine attended a party at Carly Simon's house, where Dylan and others would soon be passing around a guitar and sharing songs. He drew comparisons to Dylan early in his career, but Prine would inevitably cut his own songwriting path.

And it was on the same debut album, in the opening lines of “Angel From Montgomery,” that a 20-something kid from Illinois would sing from the perspective of a Southern housewife: “I am an old woman, named after my mother.” “I came here mostly as a fan,” he told The Tennessean in 2017. “I really loved rolling around this town and thinking about all the legends that played around here, the whole romance of it.”

In 1974, Bonnie Raitt released a blues-rock cover of “Angel From Montgomery” that helped propel the song to further success. But he endured, returning to the studio in 1999 for “In Spite of Ourselves," a duet collection that yielded the show-stopping Iris DeMent title track, one of Prine’s most celebrated and bestselling contributions to folk music.

 

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