is no exception — with a particularly brutal bloodbath taking place towards the end of the film. But it’s the looming sense of dread and unease that really makes the film so unnerving, as Harper deals with both the trauma of the relationship she is trying to heal from and the constant intrusions of the men populating what should be her safe reprieve.
Oh, God. I don't know. I felt so creative in it. Alex really held a space for me to offer anything that would come up that morning, where I'd be like, "Oh, I've got an idea. What do you think about this?" I don't think there was any time where he said no. Things like the screaming in the bath, was kind of something I brought, and exiting the house.
Alex had kind of put forward such strong symbols of paganism and the Green Man and what they meant throughout history. It was so rich. You could ping yourself off anything in lots of different takes and it have a different meaning to you, but there was never one singular thing. For me, there's not one singular meaning about this film. There never was.
Source: Entertainment Trends (entertainmenttrends.net)
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