There are roughly 47,000—oh, wait, a new Netflix Original just dropped; make that 47,001—TV shows and movies coming out each week. At Obsessed, we consider it our social duty to help you see the best and skip the rest.
We’ve already got a variety of in-depth, exclusive coverage on all of your streaming favorites and new releases, but sometimes what you’re looking for is a simple Do or Don’t. That’s why we created See/Skip, to tell you exactly what our writers think you should See and what you can Skip from the past week’s crowded entertainment landscape.
But with increased visibility and self-reckoning came an increased dependence on the camera for self-expression, as Carmichael himself explores in HBO’s, premiering March 29. The half-hour series—which errs more toward documentary than pure reality show—captures the comedian’s effort to poke veins adjacent to the one he burst open in. But Carmichael’s intimacy here is more playful, building a narrative over the course of its eight episodes that requires both performativity and painful honesty.
Whether deliberately or instinctively echoing his cinematic ancestors, Farrell’s sleuth is a throwback with his own charismatic brand of cool, and he does much to keep showrunner Mark Protosevich’s eight-part Apple TV+ neo-noir humming—at least, that is, until a twist disastrously upends this serpentine saga, rendering it little more than a gimmicky pantomime.”lets Giancarlo Esposito do what he does best: give a gripping, layered performance that elevates anything he’s in.
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