has also photographed in some of the cyber separates. Decades before this, Irving Penn photographed model Irina Pantaeva in a hooded Lycra style for aGaultier, observed writer Georgina Howell at the time, “applies the imaging and technical advances of sportswear’s body hype, uses attention grabbers the way he does for rock musicians, and transposes finishes from one field to another.” It’s not for nothing thatdubbed the designer “the maestro of mayhem.
The show, which was mobbed, was held in a dark industrial space and opened, in true Mad Max fashion, in a cloud of smoke through which a motorcycle roared. One of the black leather-clad riders got off and scrambled furtively up the surrounding scaffolding. That was just the appetizer. Model Carmen Dell’Orefice paraded down the runway with a hawk on her wrist and the finale featured models in padded nylon gowns who held hairdryers that inflated their matching headdresses.
The collection wasn’t all fun and games though. As the 20th century drew to a close many designers were preoccupied with the collision of past and present, Gaultier included. Fall 1995 included many a nod to earlier times. There were redingotes cut in black leather and Renaissance velvets with trimmings embroidered in a microchip pattern. Those finale pieces, by the way, were as curvy as a 19th-century demimondaine .
The dress is 🔥 but wtf is this photo?
Wow
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