A singer and songwriter, the winner of eleven Grammys and eleven Latin Grammys, Blades transformed salsa, the Afro-Caribbean dance music developed in New York City in the nineteen-sixties, by making it a vehicle for stories with a social-justice and anticolonial slant. Blades “is just as significant as Víctor Jara, Bob Dylan, Bob Marley in terms of writing about social-justice issues and where society needs to be better,” Félix Contreras, the co-creator and host of “Alt.
For the past forty-five years, Blades has sung the songs from “Siembra” in stadiums and concert halls around the world; when he gets to the chorus of “Pedro Navaja,” the crowds sing, “Life is full of surprises.” Earlier this year, Lin-Manuel Miranda talked to Rolling Stone about the impact of hearing Blades’s songs for the first time. He realized that “you can write a tasty hook, you can write incredibly complex rhythms, and you can be telling a story all at the same time.
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