ComingSoon: What drew you to scoring American Rust: Broken Justice, particularly given its exploration of the American dream through Chief of Police Del Harris?When Dan Futterman, the creator of American Rust, told me about the show and asked me to be the composer, I was really drawn to the project on multiple fronts. Dan and I have had a long-term, wonderful, creative relationship and friendship, so I was, of course, thrilled to collaborate with him again.
The first thing I do is have conversations with the creative team and hear everything they have to say – about the show, the characters, the themes, the story. I am also always wanting to gain a real understanding, in as many different ways as possible, of how they would like the music to feel. What is the tone, the pace, the different dramatic elements, and colors? We always were focused on being very aware of how the music should support the story.
With such a diverse portfolio of projects, what unique challenges did scoring American Rust: Broken Justice present compared to your previous work? Were there any specific themes or motifs in the series that you found particularly inspiring or challenging to interpret musically? The music supports the intimacy, conflict, and intensity of these relationships. Sometimes it’s through a bittersweet melody. Sometimes it’s haunting layers of textures, and sometimes it’s a full-on driving piece with big guitars and drums. The show does a wonderful job of making the audience feel a closeness and acute awareness of these complex dynamics. So, we are collaborating with that and often figuring out how much to turn up the heat without leading the audience emotionally.
Could you share any anecdotes or memorable moments from your collaboration with the creative team or cast of American Rust: Broken Justice?
Source: Law Daily Report (lawdailyreport.net)
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