), the current inhabitant, comes to this realization, it results in a showdown — which ends as Ben tumbles down the same staircase where Emma died.
All four of the unsettling series’ episodes were helmed by Lisa Brühlmann, who, along with Lestrade, brought a female perspective to Delaney’s story. Mbatha-Raw, as associate producer, also weighed in on Jane’s journey. It was important for everyone involved that the aspects of trauma felt grounded and authentic and that the moments of action felt tense but didn’t exploit women. The team worked with a trauma consultant, Roxana Parra Sepulveda, and partnered with Sands, a U.K.
“I think it’s an unusual show, because in many ways it’s quite over the top and quite melodramatic,” Delaney notes. “It builds to this hugely over-the-top finale with Simon and Joy Division playing and him breaking plates in this pristine house. [It was] about mixing those moments of huge melodrama with character details that make it all very authentic so that you justify it. The last thing you want when you’re going full psycho like that is for the audience to be saying, ‘Hang on.
“What we didn’t want is the image, again, of a dead woman being exposed like it’s nothing,” the director says, adding that she wanted to avoid showing a dead woman on the floor. “It’s a fine line, like how much violence against women do we want to show? And how do we want to show it? You can’t avoid it, because it’s in the script. She has to fall down the stairs, and she has to die — that’s the story — but at the same time, you can choose some of the elements.
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