Some of us dream of a life of eternal sunshine—and some of us, like Camille Miceli, get to do it for a living. The Parisian Miceli is the new artistic director of Pucci, having arrived there last September. She joins the house founded in 1947 by Emilio Pucci, which became renowned for its vibrant swirling prints, a potent cocktail of Euro élan, and an every-day-is-a-holiday joie de vivre.
Just how much of a match was evident on a recent visit to Pucci’s Milan HQ one sunny February morning while the city was buzzing with Fashion Week, as Miceli’s laughter rang around the enfilade of rooms that make up the label’s atelier. Her debut collection festooned the showroom, which looked as if you were peering at it through a furiously turning kaleidoscope.
Her new accessories, unsurprisingly, are just as spirited: jewel-toned velvet Venetian slippers; backgammon boards ; straw bags woven with strips of unused Pucci fabrics, with other silky remnants pieced together to create reversible totes; blocks to rest your head on the beach—or to assist in a yoga headstand; and flip-flops shaped like fish, a sly wink to the house’s new logo of interlocking fish, which Miceli dreamed up—a mystical ode to the oceans.
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